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[分享] Trainspotting<猜火车>

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    发表于 2006-8-19 10:34:54 | 显示全部楼层 |阅读模式
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    Trainspotting
    Trainspotting
               
              "Choose Life," says the angry young thug with the buzz cut
              and the Scottish burr. "Choose a job. Choose a career.
              Choose a family. Choose a fuckin' big television." Meet
              Mark Renton (Ewan McGregor), the fast-talking,
              quick-tempered anti-hero of Trainspotting. "I chose not to
              choose life," he declares. "I chose somethin' else. And the
              reasons? There are no reasons. Who needs reasons when
              you've got heroin?"
              Given its controversial subject matter (heroin addiction,
              taken in stride) and its savage humor, it isn't surprising that
              Trainspotting was the out-of-competition smash of the
              1996 Cannes Film Festival. As far as director Danny Boyle
              (Shallow Grave) and screenwriter John Hodge (working
              from the novel by Irvine Welsh) are concerned, nothing is
              sacred: drugs, excrement, mayhem, parental guidance, and
              the secret sex lives of Catholic schoolgirls are all fair game.
              At the same time, the film never cheats the horror and
              anguish of real-life drug addiction. We're made party to the
              ghastly accidental death of an addict's neglected infant, and
              several prolonged sequences (paced like anti-matter musical
              numbers) in which the hero hallucinates with nightmare
              intensity while trying (sometimes coldturkey) to throw off
              his dependency. (One bit involving a spectacularly filthy
              toilet will no doubt be the conversation piece of the film's
              release.) Kicking heroin is something Mark attempts from
              the first scene. He succeeds at first, but then, after a series
              of calamities and a simple liking for the heroin lifestyle get
              the best of him, he's forced to slay the same dragon several
              times over, until we're not sure he's going to make it. 
              Almost every one of his pals--Sick Boy (Jonny Lee Miller),
              Spud (Ewen Bremner), Tommy (Kevin McKidd), Begbie
              (Robert Carlyle)--succumbs to the drug in one way or
              another; those who don't wind up dead become mentally
              enslaved. Yet the film often has a freewheeling gaiety; at
              times, it plays like a cross between Drugstore Cowboy and
              A Hard Day's Night. Mark and the movie are on the side
              of freedom, which was the false charm of heroin in the first
              place; his quest to be his own man is his only hope, and the
              movie's one stealthy claim to a moral core. 
              For the rest of it, director Boyle and screenwriter Hodge
              refuse to pass judgment on Mark or his friends, giving the
              movie an amoral surface. You might well ask if, by an
              accident of energetic artistry, such sexy self-destruction
              doesn't sell a new mystique of heroin use to its more
              impressionable young viewers. It's a hard artistic question:
              how do you truthfully map the lower depths without
              making them look attractive? The allure seems built into
              human nature. The makers of Trainspotting, with their
              ensemble of bright new actors and newborn star McGregor
              (who will shortly be seen in a very different light, opposite
              Gwyneth Paltrow in Emma) boldly side with reckless
              honesty, redeemed by the hero's upbeat refusal to cave into
              self-pity. It's a disturbing film in the best sense. --F.X.
              Feeney 

    “选择生活,选择职业,选择工作、选择家庭。选一个
    他妈的大电视机。选择车子、房子、电动开瓶器、洗衣机及CD放音机。
    问题是:我做这些事,干吗?
      所以,马克瑞登决定不选择生活,而和他的一群朋友决定以
    最诚恳也最垃圾的方式过活。他们群居、吸毒、打架、偷抢、无所
    事事而又无恶不作, 虚叛逆的生活方式留给他们的又将是什么呢?……
    1996年最具话题性英国电影《猜火车》
    (train spoffing)讲述了英国爱丁煲一群瘾君子们突虚堕落的生活,
    它以极为真实的笔调,对吸毒的过程,快乐及戒毒的痛苦加以描绘,
    使得该片导演丹尼鲍尔成为英国最受争议及讨论的导演,也使得该片
    成为英美青少年的新宠:因为似乎,它道出了他们的心声。 
      其实,“猜火车”是一种游戏,年轻人或老年人没事在火车经过
    的地方即兴猜测下一班火车经过的时间及目的地,以打发时间或彼此
    较量,导演的此为题,暗喻年青人百无聊赖的生活。心态影片以邓马
    克瑞登的自述为主线,串起了Spud Begbie, Tommy, Sick Bey Piane 
    几个鲜活的人物形象,片中充斥着当地的骂人土话,吸毒的细节描绘,
    Iggy pop和大量与人物心态相合的舞曲音乐,总之,最丑恶,最垃圾
    的生活被导演毫无遮掩的揭露开来,这份真实与诚恳也是影片最吸引人的地方。
      是否应该有这样详实的吸毒细节描写鼓励观众以身试法是影片最受争议
    之处。导演认为,影片前三分之一的确陈述了沉迷药物的快感,但是后面
    一小时都深入呈现了海洛因在身体上和情绪上所造成的彻底崩溃。影片有
    这样一处情节深入刻划了吸毒的痛苦:马克瑞登被父母强制送入戒毒所,
    画面也进入迷幻状态,随着背影Iggy 
    pop的音乐响起,马克因戒毒而产生了感觉,死去的婴儿在天花板上爬行,
    各种令人作呕的秽物遍布病房四角,马克大汗淋漓,只能用毛毯遮住自己
    病弱的身躯和惊恐的灵魂,可是婴儿的冥冥之声却依然响彻耳畔……这处
    描写本身就带着很强的写意和迷幻色彩,再加上音乐和画面的夸张?nbsp;
    变形,使得该情节极富感染力,而吸毒之害也便跃然银幕。另外,
    马克钻入污秽的马桶,徜徉在浊水之中以及片尾马克万人皆醉我独醒,
    揣着轻易得到的巨钞踏上“幸福”生活这几场戏都使影片极具另类色彩,
    成为欧美坛令人惊诧的一出。
     
    更令人惊奇的是,这部以两百五十万美元的资金在95年夏天花了仅七个星
    期的时间快拍摄完成的话题电影迄今已在英国本地创下超过一千八百万
    美元的收入,破了《四次婚礼和一次葬礼》的纪录。它和好莱坞的教训
    都告诉我们:影片优劣并不在于资金投入多少,只要有良好的题材,真
    诚的表述,恰当的契入,照样也能得到观众最真实的回报……。
    值得一提的是,主角马克瑞登的饰演者;伊旺麦克葛瑞格,这垃英国影坛
    新人因《魔鬼一族》脱颖而出,又先后接演了《枕边书》(与大陆与邬君
    梅合作),《艾玛》、《理智与情感》等影片,再加上《猜火车》的一炮打 
    ,使得他前途星光无限,成为继休.格兰特后英国影人走进好莱坞的又一人。
    年轻往往容易选择叛逆,选择逃避,就连曾经“选择坚强”,“把你唱醉”
    的罗琦也为了麻醉自己的灵魂而论为瘾君子,或许,只有生活才是最真实的,
    它告诉我们如何选择:年青热情、活力或许更多更多……  

    [wmv=360,65,1]http://www.x-patients.org/janet/ewanlove/OST%20Trainspotting%20-%20Choose%20%20Life%20With%20Ewan%20McGregor.mp3[/wmv]

    [ 本帖最后由 sea9413 于 2006-8-19 10:38 编辑 ]
    http://bbs.wakeofgods.com/WoG-Space/attachments/2008/03/107_200803120817521.gif
    文韬武略,勇冠三军。
    骏马堂堂出异乡,任儿随处立纲常;年深异境尤吾境,日久他乡即故乡。
    朝夕莫忘亲命语,晨昏须奉祖宗香;伏愿苍天垂庇佑,三七男儿总炽昌。
    http://bbs.wakeofgods.com/attachment.php?aid=2843&amp;amp;noupdate=yes
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    [LV.2]野猪

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    发表于 2006-8-20 21:07:53 | 显示全部楼层
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